Tuesday, August 5, 2008

The apple does not fall far....


Tapuach, Tapuach Zahav!


The song "Tapuach Zahav" -an Orange (lit. golden apple) is from a genre of early agriculturally themed songs. The song, with a melody by Menachem Rabinowitz (Ravina), and text by Shmuel Bass, uses the orange as a metaphor for the fruit of the labor of the chalutzim. The melody reminded me of the late, great Shlomo Carlebach's beautiful songs in triple meter, so I asked his daughter Neshama Carlebach to sing it. She recorded a delightfully sensuous version with her band, featuring our own Dave Richards on bass.....  

Tova is Tova Maod!





What fun! Take a beautiful Bialik poem, an old oriental melody, a South American styled jazz quartet, and Broadway and TV legend Tova Feldshuh, and you've got our new version of "Ben N'har Prat"!
The melody is ancient, and the words were composed by Chaim Bialik (1873-1934), Israel's first national poet.
The song, of unrequited love, mentions a golden bird called a 'duchifat', or Hoopoe bird ( the national bird of Israel):



Tova was backed up by the great Paul Meyers on nylon stringed guitar, the ubiquitous Steve Laspina on bass, Brazilian wonderkind Nanny Assis on hand percussion, and yours truly on tenor saxophone.
Any reference to the classic Getz/Gilberto recordings is purely intentional.....

The song was made famous by the iconclastic Yemenite vocalist Bracha Zephira in the early thirties, and has been infrequently recorded since. Tova really brings the words to life. Watch for a clip, coming soon.
Here's a translation:


Between the river Euphrates and the river Tigris,
On the mountain stands a palm,
And on the palm, amidst its leaves,
Perches a golden hoopoe.

Bird of gold, fly and circle.
Go out and find me a husband,
And when you find him,
Tie him and bring him to me.

But if you do not have a purple cord,
Say hello to my fiancé.
What will you tell him? Tell him
My soul goes out to my darling.

Morning, Evening, and Twilight,
I raise my eyes to the skies above,
Oh clouds, pure, and everlasting,
Why you,still, and not my beloved?

Between the river Euphrates and the river Tigris,
On the mountain stands a palm,
And on the palm, amidst its leaves,
Perches a golden hoopoe.

http://en.wikipedia.org/wiki/Tovah_Feldshuh

Monday, July 14, 2008

Ve'ulai (Oh Kinneret Sheli)-Everything's Coming Up Broza

Today we had the pleasure of having one of Israel's most beloved singer/songwriters, David Broza, record his version of a truly classic pioneer song, dedicating the performance to the Breast Cancer Research Foundation.
Broza’s mother, Sharona Aron, was one of Israel’s first folksingers, and the first to also play guitar. She hosted American folk legends like Pete Seeger, Odetta, and Harry Belafonte at their home when David was a kid.
"I learned Ve'ulai from my mother", David explained.


                                                                SHARONA ARON

"I had never recorded it, so I jumped on the chance to contribute the track to Pioneers for a Cure".
Ve'ulai was written by one of modern Israel's first poets,  Rachel Bluwstein Sela, better known as "Rahel" 

The music was written by Yehuda Shertok Sharet


Veulai lo hayu hadvarim meolam
Veulai lo hishkamti im shachar lagan
Le'avdo beze'at apay...
Shel Kinneret sheli, hoy Kinneret sheli
Heyayit o chalamti chalom

I never rose at dawn to plant the fields with my
own
hands
And perhaps these things never happened
Never did I purify myself in your azure waters
Perhaps it was a dream, my Kinneret.

Monday, June 30, 2008

Welcome to Milim HaMadrich-the producer's corner

I started working with the production team at Joodayoh Arts on the Pioneers for a Cure project last summer. I was excited to be on a mission to learn about the songs of the pioneers, and give them new life while raising consciousness and funds in an effort to give life and hope to the many millions of  cancer patients worldwide, to hasten a cure for cancer in our lifetime.

 I found a treasure chest of information, and unearthed many,many songs- some now classics, some lesser known, and some on the brink of extinction. In the posts to follow I will share with you what I have learned about the songs we chose to record. 

It is truly unprecedented,  the  creation of a nationalistic folk music by design. Like the return to an ancestral homeland after centuries in exile, the cultivation of the Negev desert, and the monumental achievements in science, technology and healthcare, the early music of Israel is worthy of celebration. Enjoy....